https://johanemmoth.com/main-footer-—-desktop 2026-09-29T18:51:39+00:00 always 0.5 https://johanemmoth.com/vertical-borders 2026-08-29T00:50:46+00:00 always 0.5 https://johanemmoth.com/graphic-nav-—-desktop 2026-08-29T00:50:46+00:00 always 0.5 https://johanemmoth.com 2026-10-19T06:24:57+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2209322563787832910648484637276/Phantomas.jpg <i>An examination of how repetitive modular structures evoke the visual language of woven textiles while remaining entirely computational. Built upon the 369 framework, the composition examines rhythm, density and directional flow, suggesting material qualities through digital means.</i> https://freight.cargo.site/t/original/i/M3034264575820150711769075509281/23.png <i>An examination of how repetitive modular structures evoke the visual language of woven textiles while remaining entirely computational. Built upon the 369 framework, the composition examines rhythm, density and directional flow, suggesting material qualities through digital means.</i> https://johanemmoth.com/sculpture-nav-—-desktop 2026-10-19T06:24:57+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2989456354020863069651663808545/15.png https://johanemmoth.com/main-—-sculpture 2026-10-19T06:56:09+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2210505545258032055578380806748/Kippenberger-3339-1.jpg <i>A visual translation of a field recording, exemplifying how auditory information is transferred into a visual medium and reorganised through a different mode of representation. Sonic material is treated as data that can be reinterpreted visually, allowing characteristics such as duration, variation, intensity and repetition to inform the resulting image. The piece exemplifies what is retained, altered or lost when information moves between media.</i> https://freight.cargo.site/t/original/i/A2989461052683279804580103677985/50.png <i>A visual translation of a field recording, exemplifying how auditory information is transferred into a visual medium and reorganised through a different mode of representation. Sonic material is treated as data that can be reinterpreted visually, allowing characteristics such as duration, variation, intensity and repetition to inform the resulting image. The piece exemplifies what is retained, altered or lost when information moves between media.</i> https://freight.cargo.site/t/original/i/Q2989466937784935128285774833697/53.png <i>An exploration of chromatic systems constructed upon the 369 framework. Colour is treated as a structural parameter, where rhythm and proportion emerge through modular relationships rather than pictorial composition.</i><br /> <br /> <br /> https://freight.cargo.site/t/original/i/C2989470427410851784142782687265/54.png <i>This piece examines colour as a structural language rather than a decorative attribute. Four chromatic modules are arranged within a proportional framework where harmony is generated through measured relationships instead of subjective composition. The study forms part of an ongoing investigation into perceptual organisation across visual and auditory domains.</i> https://freight.cargo.site/t/original/i/E2989617825750437878840779302945/27.png <i>An investigation of how modular elements generate symbolic structures that exist between notation and language. Constructed around the grid, the composition explores repetition, symmetry and interruption, allowing simple geometry to suggest increasingly complex visual systems.</i> https://freight.cargo.site/t/original/i/W2989622642951632031426797856801/51.png <i>A proposition that visual materials function as a grammatical system. Datamosh artefacts, grid logic and colour modules are combined as syntactic elements whose meaning arises through structural relationships instead of representation.</i> https://johanemmoth.com/profile-header-—-desktop 2026-10-19T06:24:57+00:00 always 0.5 https://johanemmoth.com/profile 2026-10-19T06:24:57+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2989420303714940515738326624289/23.png https://freight.cargo.site/t/original/i/V2989459224463368147373862119457/11.png https://johanemmoth.com/mobile 2026-10-19T06:24:57+00:00 always 0.5 https://johanemmoth.com/graphic 2026-10-19T06:24:57+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2209322563787832910648484637276/Phantomas.jpg https://freight.cargo.site/t/original/i/E2210471512933677445121442654812/serif-designer.jpg https://freight.cargo.site/t/original/i/M2210514794086575732073370036828/serif-designer---25.jpg https://freight.cargo.site/t/original/i/O2210534738484907297956062636636/Tim-Rollins---K.O.S.-1-1.jpg https://freight.cargo.site/t/original/i/P2210534738503354042029772188252/Tim-Rollins---K.O.S.-1.jpg https://freight.cargo.site/t/original/i/C2210540114032151073582789503580/Untitled-1-dragged-2.jpg https://freight.cargo.site/t/original/i/C2210541619212680511987363162716/Heinz-Gappmayr-2.jpg https://johanemmoth.com/sculpture 2026-10-19T06:24:57+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2210505545258032055578380806748/Kippenberger-3339-1.jpg https://freight.cargo.site/t/original/i/A2210515462467453754791553739356/Untitled-1-dragged-27-1.jpg https://freight.cargo.site/t/original/i/T2210538415216149093449052531292/Fischli-and-Weiss-438.jpg https://freight.cargo.site/t/original/i/X2210554882329435788786427308636/Beuys-343432-1.jpg https://freight.cargo.site/t/original/i/G2210556057018098402610674215516/Alex-Frost-circa-2000-4.jpg https://freight.cargo.site/t/original/i/U2291608123348628603265453422794/Alex-Frost-circa-2000-2.jpg https://johanemmoth.com/cv 2026-10-19T06:24:57+00:00 always 0.5 https://johanemmoth.com/profile-1 2026-10-19T06:24:57+00:00 always 0.5